Réel Imaginaire Symbolique
Glossary
Real - Imaginary - Symbolic
These three notions are
among the most elementary
of anthropic life.
Or of the life of the 'subject'.
One could even say that they are inaugural.
It is Jacques Lacan,
in his arche-scientific work
on the anthropic condition
who pointed them out.
They are the basis
of this anthropic condition.
They are also essential
for the notion of architecture
that we defend in this site
and in our writings.
*
We recall this position
in order to understand the necessity
to understand these terms.
Architecture
establishes
just out of the Real
a first dis-position of matter
-dis-position named space-
for the first wel Being
(not well-being)
of the subject
that it, the Real,
has there.
or
-Badiou's dazzling synthesis-
Architecture
should be
the violent interval
between
the Real and the Symbolic.
*
In these two maxims of architecture,
we note the words 'Real' and 'Symbolic'.
The word 'Imaginary' does not appear.
We also note that the word 'subject' appears.
This is important.
because
the notions Real - Imaginary - Symbolic
have no importance
for the 'non-subject’
who thinks, believes or claims to be
humanist or a priori central to himself.
So what is the ‘subject'?
The word has a double meaning.
It can mean 'subject'.
He is then subject to forces or powers that are external to him.
That is to say, it is without its own matter or without its own law of aggregation.
It cannot even be the true subject of a sentence.
We write it subject with a small 's'.
On the contrary, it can mean 'capable’
i.e. the anthrope's own matter constituted over time
whereas he is nothing a priori at the start of his life.
It can then be the subject of a sentence
or subject of a verb...
We write it as Subject with a capital 'S'.
Our position is that we are at the beginning of our life
subject to the Real that surrounds us,
culture ... family ... society...
And that we can become Subject
through openness and welcomed events
to which we are faithful
thereby establishing ourselves our own truth
We do not therefore exist a priori.
At the beginning, at birth,
we are nothing.
And we can become Subject
but without certainty
and not by our own means,
since a priori we are devoid of them.
This happens necessarily by events,
that appear in excess of ourselves,
to which without knowing it
we have opened ourselves up and been faithful.
And it is this faithfulness to these inaugural events
which finally established us
in our own 'truth' or our own matter.
If we use this matter we can become a capable Subject.
Many do not become and do not take matter.
They do not go beyond the norm.
They are literally 'proletarians'.
But then... :
A priori
the subject does not exist.
He is the intersection of others (Subjects - Culture - Society...)
It can become a Subject
if he has welcomed an event
and has constituted itself in truth
in its matter.
It is then capable.
There is therefore no a priori 'human nature'.
*
So...
At the beginning,
we must say
to the beginnings
since the beginning is multiple,
To the beginnings
the subject
that just is there, while it does not yet exist,
is disposed to the Real
Real where nothing is distinguished a priori.
Real with which nothing seems a priori possible…
But
the subject is a question there.
The subject is intrigued there
The subject distinguishes
repetitions or insistence
which become laws of aggregation
of relatively finite elements
which he manages to distinguish and associate.
This is the Imaginary:
to detect and distinguish elements
because they are made of internal repetitions of small sub-elements
or insistence
that make them hold together in a law of aggregation.
There is no imagination in this.
Imaginary and imagination must not be confused.
The imaginary detects or distils in the Real.
And when it has finished, it leaves itself an image.
A contract is then made with the Real.
This image is named.
(Grass ... Tree... ...Father ...Mother...
But it can also be articulations
and in that case we get verbs...)
Maybe it starts with onomatopoeia.
This contract establishes a Symbol
(‘To symbolon’ in Greek means a contract
accompanied by a something broken in two
for each of the contracting parties.
In this case, the Real and the Image.
The association in their complexity of these distinguished images...
or
this faculty of complex distinction is language (langage in French).
Language is pronounced afterwards by languages (langues in french) .
We have then there,
very primitively for the subject,
these three terms :
Real - Imaginary - Symbolic.
They are there a priori...
But it is still necessary ,
for this subject which does not exist a priori,
that these three terms
distinguish themselves well...
Keep a distance.
Do not collapse on each other.
All this is labile.
All the more labile
that for everything that is distinguished and associated,
it is not certain that it is the same for all.
These three terms
must remain distinct.
Must remain at a distance
so that the experience can be.
And here we understand
experience as ex-perishing.
We ex-perit....
Or ex-perit-mente
These three terms
must remain distinct.
Must remain in dis-stance.
And also stand.
Dis-stance is a stance.
There has to be a way to the stance.
For there to be a stance…
So that everything does not collapse into catatonia.
This distance must be maintained.
There has to be a interval.
There has to be an interval
between the Real and the Symbolic
(and thus, of course, also
between the Real and the Imaginary
as
between the Imaginary and the Symbolic
Badiou says, in a flash,
What holds in dis-stance
the Real and the Symbolic
is architecture.
This is its role
of a primitive arkhè.
Architecture should be
the violent interval
between the Real and the Symbolic.
This highlights the importance of
of understanding
that we are subject becoming perhaps Subject
and the importance of these three inaugural terms
Real, Imaginary, Symbolic.